Playing Identities
This project aims to interpret migration phenomena as instances of creolisation. The original aspect of this project stands in the intuition of borrowing Glissant’s poetical vision of creolisation and to apply it to two distinct processes of creation. On one side we choose Performing Arts, namely theatre, in order to produce a play in which artists from diverse theatrical backgrounds are forced to the negotiation of expressive codes, practices and meanings. Therefore, the ‘creolisation’ of theatrical practices becomes an essential element of the play itself.